Saturday, August 24, 2019

Reflectiions and ruminations on exhibition, processs and theme


As someone who has no formal art training and plays in different mediums I still struggle with the definition of art and craft.   And whether what I create is art.   And whether what I create is worthy.


I am still coming to terms with what “process” is and wonder whether I have partially confused it with theme.  And the fact that I like to work in several mediums and hop from one to the other and then back again doesn’t help.

This year I have been exploring bees as a subject.   I really enjoyed my research and what I learnt.  I will continue to explore bees (and consequently gardens and the environment) as it has given me so much pleasure.   It also fits with my concern about global warming, climate change and species extinction.  My study of bees and my consequent exhibition gave me a chance to be a voice and raise concerns without preaching.

My exhibition also gave rise to some comments which gave me cause for thought.

By way of context I said tell you that my works were in a number of mediums which included:
·        Works based in textiles and fibre: some classic stumpwork embroidery and some more contemporary installation styled works;
·         Collage involving paint, pastels, paper and stitch;
·         3D works using contemporary mediums such as polymer clays, hardened fabric and various “products” that are available to crafters; and
·        Words which included information about bees, newspaper clippings, identification pamphlets  and snippets about bees over time.

My exhibition was always intended to include mixed works, be informative, be fun and raise awareness about the loss of bees due to habitat change and pesticides.

Neon cuckoo bee - Raised embroidery (stumpwork)

One comment that resonated was that works on display were good explorations of process but, in that person’s view, were unresolved works.   That same person did not like the inclusion of what they considered to be “craft”.  And offered some ideas about how to improve how the exhibition was hung.   Some of them were goods points.  But views as to what was “art”, “resolved works” and what an exhibition should look like caused me some grief.  I looked with fresh eyes and agreed that, yes, some works could be regarded as unresolved.  But I couldn’t agree that the fibre works did not belong in the exhibition.   And we will not meet anywhere in the middle regarding my exploration of bees in 3D.
Launching - contemporary mediums - sculpture

To complicate matters I then actively sought feedback from those who came to visit the exhibition; some of whom I respected as creatives.   Every one had their own views.  Things I thought unresolved they loved.  Fibre people loved the fibre works.   There was mixed reaction to my small bees.   In short, people liked what they liked.  Some works provoked a response. Some didn’t.

Gum Blossoms - detail - textile hanging

So what should I take away from this?   By exhibiting we expose a part of ourselves.   I had to put my big girl panties on and suck up what was said that hurt, accept that some people have set views and that most enjoyed what they saw and took something away with them.   

I hope that my exhibition will encourage people to take up artmaking in any of its many forms, have the pleasure that I have had in exploring and creating and perhaps share what they learnt in an exhibition as well.

I thank the Albury City Council for its grant which helped defray the costs of putting on the exhibition.

And for those that would like a bit more reading on the tangled subject of art, craft and creating – here is a link to an excellent “what is art” discussion




Thursday, August 1, 2019

BEE happy - exhibition up

Still Life with Bee - Collage
Its finally up.  :-)   I will tweak a little bit today but it is now open. 




Eucalyprus Blossom detail - Textile Work


Cuckoo Bee Embroidery



Honeycomb - Collage

My exhibition essay (or artists statement) is up on the wall: 
BEE Happy – A mixed media art exhibition

Bees make me smile. A warm day you can hear them in the garden. They can be so loud. And yet almost invisible. And there are so many of them – both honey bees and the native bees.

My play with ideas about bees came about when I discovered that there was a stingless bee that could be kept in a hive and its honey judiciously collected. I lived in Sydney then where the climate suits that sort of bee.

Since moving to Albury in 2015 I have continued to think about bees. And noticed different bees in my garden.

Did you know our region has three identified species of blue banded bees?
There are about 1,700 different types of bee in Australia. They can be super tiny to quite large (for a bee).



Photo courtesy of www.aussiebee.com


Most native bees are solitary. The female makes a nest in a small opening in a tree or fibrous plant stem or makes a burrow. The bees live only one season and their eggs are sealed in the nest and the next generation of bees emerge when the weather is warm enough.

I am more mindful in my garden now. I am aware that the blue banded be may be in a burrow in certain areas and that reed bees may be in canes of old plants. I understand that a messy area of foliage and ground cover can be a home to many insects including bees. I now don’t feel bad that I love daisies and I have learnt that most bees love daisies too.

I discovered that some bees are buzz pollinators and others collect pollen on their chest and legs. Bees are hairy. It’s a feature that distinguishes them from wasps.

A few native bees collect pollen by eating it. They then return to the nest and regurgitate it.
Aussie Bee has an online site with a huge number of photos and lots of information. I have them to thank for informing and fostering my interest.

Donna Caffrey

Foraging for Pollen - Collage


Not quite a self portrait

Not quite a self portrait
small 8' quiltlet with embroidered hair

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