Bees are little birds. Lino print. |
Is been a busy start to the
year. I was asked to be part of Four legs...working
with wool. The exhibition was great fun. It was
a lovely opening night. Five exhibitors meant we had a diverse
number of people come and it turned into a party. My works included
my exploration of penny rugs and cute pop art faces in felt.
I am part of a group of textile artists who some six hours away from me. Our efforts finally came to fruition when Off the Beaten Track opened in Shoalhaven Regional Gallery on 8 June, 2019. They will move on to Cessnock Regional Gallery in August and then into Sydney in October and November.
Still life with bee. Mixed media collage. |
And I have had my nose down working towards a solo exhibition - BEE happy 😊. The exhibtion runs Tuesday to Sunday from1 to 20 August, 2019 (11.00 to 4.00) at Creators Artspace Gallery, Gateway Village, Lincoln Causeway Wodonga Vic 3690.
BEE happy came about as a result of
my exploring native bees in the area I live in. The Albury Wodonga area sits on the Murray
River where the Riverina (a geographical region in New South Wales) intersects with
the southern slopes of the Victoria Alps.
(Sorry, can’t help myself ‘too much information’ should be one of my
middle names).
Anyway, have been on a wonderful
frolic of discovery and creation and am close to being ready for hanging/installation
on the 31st of his month.
Teatree blossoms. Stitched WIP with source photo. |
In earlier posts I have been
banging on about process. It is still sort of haunts me.
However, working on BEE happy has given me another opportunity to ponder
about process on an unconscious level.
I am still asking:
· Is it
sticking to one medium?
· Is it exploring
one theme?
· How is the
creative process driven?
I found that when I was working on piece
for BEE happy I would daydream /zone out. I solved problems on a previous works and
thought of new works that I could create on
the same theme but exploring a different medium.
I let myself go and revisited collage. I forgot how much I enjoyed the process. I stitched. I played with fibres. I put my hand to simple prints. Some of the prints ended up in collage or on linen. The linen got stitched into. Some of the collages got stitched into too. I used paint (which scares the hell out of me). And I have made sculptures using fabric and fabric hardener and/or apoxy sculpt.
I let myself go and revisited collage. I forgot how much I enjoyed the process. I stitched. I played with fibres. I put my hand to simple prints. Some of the prints ended up in collage or on linen. The linen got stitched into. Some of the collages got stitched into too. I used paint (which scares the hell out of me). And I have made sculptures using fabric and fabric hardener and/or apoxy sculpt.
I have been in my happy place. And I found that having several works on the
go enables me to think through and finalise or discard ideas. It enables me to take time to think, plan and
put words on paper in my morning journal.
I have a few
interesting online articles in recent times about multitasking and slow multitasking. The bit that appealed to me and I took away
was working on several projects stopped boredom and gave you time to think
about all your projects on several levels.
The articles didn’t advocate that you rush from one thing to another. Rather, it was suggested that move between projects
enabled to rest/reset/refresh/rejuvenate/retune etc.
Here are a couple of links I found
interesting:
· An article on
the value of daydreaming in The Guardian, and
So what have I taken away from all
this?
My answer - keep playing!
Cheers
all.
Donna
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